نوع مقاله : مقاله پژوهشی
چکیده
کلیدواژهها
عنوان مقاله [English]
On the basis of theoretical framework of connection between religion and art. we can observe that the Razavi culture and cinema are moving in the same directions and share some common goals. In fact these same directions facilitate the interactions between them. This article argues that these similarities can be seen in the following areas: “both of them have attitude about religion”. ”they make culture”. “they make human”. “they are moralist”. “they are symbolist and tend to mystery” and “their work are communication”. Hence we can expand the interactions between them. It means on one side. cinema serves the Razavi culture and give it some tools and means by transferring the Razavi thought and true knowledge. introducing Imam Reza’s Imamat and personality, explaining the individual behavior of Imam Reza , showing the social behavior of Imam Reza, introducing the spiritual dimensions of Imam Reza, and introducing the pilgrimage culture and cultural heritage. On the other side. we can classify the impacts of the Razavi culture on the attitude of the cinema in areas such as strengthening the beliefs and the value of human, distributing tending to spirituality, giving new and documentary subjects, and giving the model in comparison to cultural invasion
کلیدواژهها [English]
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